Effectiveness of Pitch Discrimination Practice Using a Method of Listening for Pitch in a Learner's Own Voice Quality

Authors

  • KAZUKI SATO TAKASAKI UNIVERSITY of Health and Welfare
  • Katsumi Sato Tohoku University
  • Yoko Usui Miyagi University
  • Yoshikazu Watarai Tohoku Fukushi University
  • Jyunya Oikawa SONIFIDEA LLC

DOI:

https://doi.org/10.52731/liir.v005.279

Keywords:

Singing, Pitch, Vocal Exercises, Voice Expression, ICT.

Abstract

In order to sing in tune, it is necessary to hear a modeled pitch correctly. However, differences in audibility of pitches may arise depending on different sound sources used as exemplars. Previous studies have reported that when one's own familiar voice is used as a model voice, one is able to sing pitches correctly. In this study, we examined whether learners who were unable to distin-guish pitches fromvoices of others would be able to judge the difference in pitches by using their own voice quality as a model voice. The results showed that learners who could not distinguish all pitches from voices of others were able to distinguish all of them correctly with their own voice quality.We think that difference in vocal range and other factors may have contributed to difficulty in hearing when the model sound was from a voice of another person. When the model was their own voice, all they had to focus on was changes in pitch, making it easier for them to notice differences.

References

Chihiro OBATA, “Psychological Aspects of Tone Deafness: Through Vocal Training for Overcoming Tone Deafness in Adults,” Japanese Journal of Music Education Practice, 2(2), 2005, pp. 107-115.

Yuzuki KITAMURA・Yosuke KITA・Yasuko OKUMURA・Masaumi INAGAKI・Hideyuki OKUZUMI・Yuji ISHIKAWA, ”Developmental changes in pitch discrimination ability during childhood,” Journal of Music Perception and Cognition, 25(1), 2019, pp.3-12.

Hiroki NAGATOMO, “Imitation in Singing Education in Music Education at Elementary Schools and Junior High Schools: Referring to the Thought of Frederick Husler,” Journal of Yasuda Women’s University, 47, 2017, pp. 193-202.

Kazuyo Hurukawa・Chikako Mori, ” Instruction method to increase the singing ability of the student of the childminder training school : Through the awareness of the song expression class,” Tokyo Kasei University, Annual Report of the Office for the Promotion of Teacher Development and Education, 4, 2017, pp. 119-128.

Ryuta KONAGANO, “An Examination of Previous Studies on the Accuracy of Pitch in Singing among Infants and Children. Graduate School of Education, ” Hiroshima University, Bulletin of music culture education, 18, 2006, pp. 53-61.

Ryuta KONAGANO, “A Cross-sectional Study on Elementary School Students’Vocal Pitch Accuracies in Singing−Focusing on Vocal Pitch Matching Abilities, Pitch Discrimination Abilities, and Skills at the Separation of Singing Voice from a Speaking Voice−,” Japan Curriculum Research and Development Association, 29(3), 2006, pp. 77-86.

Ayumi HIRANO, “A Study on Effective Instructional Methods for Children with Pitch In-accuracy. Graduate School of Education,” Hiroshima University, Bulletin of music culture education, 21, 2009, pp. 95-104.

Yarbrough, C., Browers, J. Benson, W, “The effects of vibrato on the pitch matching accuracy of certain and uncertain singers,” Journal of Research in Music Education, 40, 1992, pp. 30-38.

Kazuki SATO・Katsumi SATO・Shinichi WATABE, ”Effect of Voice Expression Using Information Equipment on Learner’s Pitch Cognitive Ability,” Graduate School of Educa-tional Informatics Tohoku University, Educational Informatics Research, 20, 2022, pp. 59-68.

Kazuki SATO, “Improving Singing Expression Skills of High School Students by Support Methods Using Information Equipment―Focusing on Pitch in “Skills to Sing in Harmony with Others―”,” Journal of the Study of School Music Educational Practice, 27, 2023, pp.1-11.

Downloads

Published

2024-09-15